Today’s post is a brief interlude between the two rambling sections of my extended consideration of realism and contemporaneity in Albanian art. This post is also a ‘double feature’; it includes partial scans of the very first issue of journal Nëndori [later Nëntori], the monthly publication of the Albanian Union of Writers and Artists, and of the 30th anniversary issue of the journal.
At the time Nëndori first began publication, it replaced Letërsia Jonë [Our Literature], the monthly journal-length publication primarily produced by the Albanian Union of Writers (although it occasionally featured content related to the visual arts). At the time, the Unions of Writers and Artists were separate entities, and Nëndori, like Letërsia Jonë, primarily focused on literature, poetry, and translation. By the 1960s, however (at which point the Unions had joined into one), the journal began to feature illustrations more regularly and to deal with issues related to the visual arts more frequently. From the beginning, however, Nëndori dealt with the broad spectrum of Albanian cultural production, including theater, music, and film, as well as literature and the visual arts.
As the introductory section of the journal makes clear, the year 1954 (as the tenth anniversary of liberation from fascism and as the fourth year of Albania’s first ‘5-year plan’ period) represented a particularly important year in the young socialist nation’s progress towards joining the transnational network of socialist modernity.
Thirty years later, in the January, 1984, volume of Nëntori, several of socialist Albania’s noted cultural figures (including Dritëro Agolli, Kujtim Buza, and Aleks Buda) published short reflections on the journal’s importance for the development of the discourse on Albanian arts and letters. The volume also contains the announcement for the 3rd Congress of the Union of Writers and Artists, as well as the notes from the Directory Council’s plenary session laying out points for discussion at the upcoming Congress.